According to Samuel (1995), black musicians did not virtually exist during early years of America’s entertainment sector due to slavery. However, over a period of time this ceased and the Black American Music has been representatively associated with the civil rights movement. Applied to both blacks and whites, it has offered culture and foretold civil rights movement more than any other field of art in America. The black musicians and especially Jazz took the basis using their music and personality to support social justice and racial fairness.

Examples of the musicians who took their cause to promote civil rights include Louis Armstrong. He had a fine means of handling racial issues despite the fact that he was at times analyzed for performing mostly for white audiences. For instance he recorded a song with the phrase “my only sin is in my skin, what did i to be black and blue?”  Out of the circumstance of the show, the lyrics performed by a black singer during that time was heavy remarkable and dangerous.

Benny Goodman is another musician who used his fame to extend his gratitude to black music. He was the first white clarinetist and bandleader to hire a black musician to be among his ensemble. Teddy Wilson was made a member of his trio in 1935 and later added Lionel Hampton and Gene Krupa (Brooks, 1984). Racial integration was advanced through these steps even if they were previously not a taboo and also prohibited in some states.

Finally, Duke Ellington also showed his commitment to civil rights in a complicated and handled injustice in fine ways. His music energized the pride of blacks. He always aimed at conveying the experience of blacks in America (John 1988). Ellington was a figure of the Harlem Renaissance, an intellectual and artistic movement that rejoices the identity of blacks. He composed the achievement to the musical “Jump for Joy” in 1941.

This challenged the traditional image of blacks in the entertainment sector.  Later in 1943, he composed “Black, Brown and Beige” with an intention to tell a history of American blacks through his music (Roach, 1992).